“These middlemen that they buy from, farmers and ranchers, and sell the processed product to grocery stores, that’s the way it works.” “Four big corporations control more than half the markets in beef, pork, and poultry,” Biden said on Monday. He then took the extra step of blaming a lack of competition among the country's four leading meatpacking corporations as the reason for the price increases. And, to combat the rising costs, Biden proposed more red tape and tighter regulations for meat companies - which will, of course, increase prices further. With beef prices 20% higher today than they were a year ago, Biden absolved his administration of any responsibility. As major streaming services heavily invest in the future of non-music audio content it’s difficult to not view personalities (antagonistic, provocative, and unchecked) like Budden and Nicki as the future of these content systems.Earlier this week, President Joe Biden addressed rising meat prices in the country. In recent years, Budden found a lane recycling music industry conspiracy theories to a growing number of listeners, while Nicki continues to cultivate and insulate herself with The Barbz as part of her radio show. In essence, The Joe Budden Podcast and Queen Radio are both bastions built to speak to each respective rappers’ base. Joe Budden and Nicki Minaj were likely never at odds, but merely reveling in selling the idea of discontent that could be broadcasted for mass consumption via the power of Apple Music and Spotify. Consistently, Minaj explains what factors contributed to Queen not matching the commercial heights of her past albums (lack of radio support, media gatekeepers trying to blackball her, and the battle of the bundles). They’re both artists charting a path that’s not reliant on the constant churn and competitiveness it takes to stay atop music streaming algorithms and secure slots among the most impactful playlists. “I think that this meeting between you and I, both at your shit and at my shit is really important to note… I think that you’re in a different space.” For all their distinctions, Nicki and Joe’s “different space” is one and the same. “Me doing your shit, you doing my shit, there are amazing things happening in the ecosystem,” Budden offered.
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Then again, who needs a beat in a self-orchestrated media war?īudden, more than Nicki, was happy to illustrate the quid pro quo nature of each appearance.
This was likely the first rapper beef to unfold on podcasts, forgoing songs entirely. Two days later, Nicki returned the favor by appearing on The Joe Budden Podcast, and swiftly all illusion of antagonism dissipated. Then Minaj dipped into historical context, revealing she remembers being in New York when Budden was tapped as a potential heir to Jay-Z and connected the failure of that premonition as the root of his bitterness.
She pulled up video evidence to use his own words against him, and showcase that the man in front of her was too proud to apologize.
Throughout the debate, Nicki went to increasing lengths to showcase what separated her from Budden. It was the inverse of Budden’s viral Everyday Struggle interview with Lil Yachty, which arguably launched the former rapper atop his current perch as hip-hop’s favorite contrarian/talking head. Nicki deftly used the same skills - a propensity to wail every other sentence, repetition of ridiculous phrases, endless laughter - Budden has spent stints perfecting at Complex, Revolt, VH1 and Spotify. Minaj yelled and excelled, Budden deflected and stormed away, while his co-hosts Rory and Mal nervously chuckled. They included Joe’s claims that Minaj lied about the origins of “Motorsport” and Megan Thee Stallion’s “Hot Girl Summer,” his allegations that the Queen rapper had a drug problem on his podcast, and what Minaj deemed was his latent bias against women rappers. Budden’s transgressions, according to Nicki, were numerous. On Monday, Nicki Minaj and Joe Budden - two East Coast traditionalists and recently minted elder statesmen finding new life as radio/podcast hosts - finally aired their grievances (or at least Nicki did) on episode 15 of Apple Music’s Queen Radio.
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Predictably, this leaves older generations perplexed on how to effectively keep their relevancy intact after each subsequent wave of youthful exuberance. Part of the culture’s appeal and ongoing popularity is how well it ushers in an endless supply of new stars, each rejuvenating the scene (or just sowing chaos). Aging gracefully in hip-hop, especially in 2019, is a near-impossible task.
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